{"id":14437,"date":"2022-08-10T06:31:33","date_gmt":"2022-08-10T06:31:33","guid":{"rendered":"https:\/\/appsaf.apieproject.com\/news\/?p=14437"},"modified":"2022-08-10T06:31:34","modified_gmt":"2022-08-10T06:31:34","slug":"scream-for-me-africa-how-the-continent-is-reinventing-heavy-metal-music","status":"publish","type":"post","link":"https:\/\/appsaf.apieproject.com\/news\/2022\/08\/10\/scream-for-me-africa-how-the-continent-is-reinventing-heavy-metal-music\/","title":{"rendered":"\u2018Scream for Me, Africa!\u2019: How the continent is reinventing heavy metal music"},"content":{"rendered":"<p>Africans have been fans of popular metal bands like Metallica, Mot\u00f6rhead and Iron Maiden since the 1970s, says Banchs, 43, a Pittsburgh, Pa.-based researcher and freelance writer who calls himself a \u201clifelong metalhead since I was in grade school.\u201d<\/p>\n<p>What draws them to this music, known for its screeching vocals, distorted guitars and nasty drum and bass rhythms, he adds, is that \u201cmetal bands are quick to hold a mirror right back to society \u2014 and [listeners] are responsive to the raw, human emotion.\u201d<\/p>\n<p>While many African metal bands are heavily influenced by these early pioneers \u2014 they put their own spin on the music, writing lyrics that call for social justice and celebrate African heritage and traditions.<\/p>\n<p>\u201cThe band Dark Suburb, for example, speaks of fighting the incessant poverty ravaging Ghanaians in slums,\u201d says Banchs. \u201cAnd Arka\u2019n Asrafokor from Togo uses their music to identify pre-colonial traditions they grew up being taught in their Ewe culture, like [preserving and caring for the] environment. They perform in the Ewe language as well.\u201d<\/p>\n<p>Despite a growing fanbase, few African metal bands have been able to cross into the Western metal scene and gain international recognition. \u201cThe reality is the economics of Africa. Playing in a band is expensive. The ability to access good instruments is not easy,\u201d says Banchs. \u201cFurthermore, electricity [required to power electric guitars, microphones and amps] remains inconsistent in certain places.\u201d<\/p>\n<p>The band Overthrust from Botswana is one African act that\u2019s overcome barriers. In 2016, the band played at Wacken Open Air in Germany, the world\u2019s biggest heavy metal festival. Banch interviews lead singer Tshomarelo \u201cVulture\u201d Mosaka \u2014 and we reached out to him to hear his story and vision. He lives in the village of Letlhakane in central Botswana, where he lives with his girlfriend and two young children, and works as a private security officer when he\u2019s not rocking out with his band. This interview has been edited for length and clarity.<\/p>\n<p>How did you get your nickname? Sounds hardcore.<\/p>\n<p>One day when I was around 13 or 14, my parents were expecting visitors. They had food inside the kitchen. When my parents were chatting outside with other people, I went to eat the meat \u2014 all of it. I sat down next to the visitors like nothing happened. Then my uncle said to me: \u201cGo get the food for the visitors.\u201d I went to the kitchen and got the food, which was covered with a lid. My heart was beating so hard. When the guests took off the lid, there was no meat. I was frozen. And my uncle [pointed at me and] said: \u201cIt\u2019s this guy! This guy is a vulture! He stole the meat!\u201d<\/p>\n<p>And ever since then, that\u2019s what people called me: Vulture.<\/p>\n<p>And that\u2019s your stage name, too. You\u2019ve been a fixture in Botswana\u2019s metal scene for decades. How did you get into heavy metal?<\/p>\n<p>I think I was around 10 years old. In my home village of Rakops in Botswana, one of my uncles was always playing heavy metal music. He had cassette tapes by Mot\u00f6rhead, Metallica, Iron Maiden and Sepultura, and I fell in love with it. When he found out I liked metal too, he was like: \u201cAre you sure you want to be a metalhead? It\u2019s more than just the music. It\u2019s a lifestyle.\u201d And I said: \u201cI\u2019m ready!\u201d<\/p>\n<p>And from that early fandom, you started getting into Botswana\u2019s metal scene.<\/p>\n<p>Botswana had its own pioneering bands: Metal Orizon [which formed in the early 1990s and is regarded as the country\u2019s first heavy metal band] and Wrust, another group, followed. We were all part of one scene, and we were like a family. There were no limits between the artists and the fans.<\/p>\n<p>And you say this scene supported your own musical journey. You\u2019re the frontman of Overthrust, the four-piece heavy metal band you started in 2008. What are some of the themes you sing about?<\/p>\n<p>Our intention is to spread messages [about issues] that people don\u2019t usually talk about, like false prophets. For example, we know of some pastors [in Botswana] who will preach in one way, but behind people\u2019s backs they\u2019ll do something different. And so with our music we actually criticize them.<\/p>\n<p>Can you share some lyrics from a song about that?<\/p>\n<p>The name of one song is \u201cBogus Vicars.\u201d These are [some of] the lyrics:<\/p>\n<p>\u201cWith the Bible you deceive<br \/>\nCongregate, blind, mystify them<br \/>\n[Gnash] their spirits with your phony parables<br \/>\nIn trance rip their innocence<br \/>\nConsume their funds, awful priest\u201d<\/p>\n<p>Haha, you\u2019re telling me these lyrics while you\u2019re smiling and laughing \u2014 but yeah, that\u2019s pretty metal all right!<\/p>\n<p>We always have this conflict between us and religious people.<\/p>\n<p>What\u2019s the beef?<\/p>\n<p>Most of the stereotypes we faced as a band in Botswana were from religious people. They fail to understand that nobody knows the truth and we are all the same.<\/p>\n<p>When we first started our band Overthrust in our small township, they were against our music, especially because we were very extreme. So they started labeling us locally as the devil. And I remember around 2014, there were a lot of accidents in the township and they were blaming us, saying we were casting evil spirits in the town.<\/p>\n<p>But luckily the leadership in the town was open-minded. They said: This is just music, let people do their thing. They\u2019re not doing anything wrong.<\/p>\n<p>Apart from loving metal music, what does it mean to be a metalhead in Botswana?<\/p>\n<p>We have our own unique style going on here. We have a dress code: spikes, chains, leather pants, cowboy boots and hats.<\/p>\n<p>Cowboy boots and hats?<\/p>\n<p>We have a huge cattle culture in Botswana.<\/p>\n<p>Does the heavy metal scene help boost the economy in Botswana? According to the World Bank, 59% of the population lives under $5.50 a day \u2014 the poverty line for upper-middle income countries.<\/p>\n<p>About 500 people attend our fest, the Overthrust Winter Metal Mania Charity Festival, every year. It\u2019s been going on for 14 years. People pay a fee to get in and part of those proceeds go to charity. We try to identify beneficiaries who are disadvantaged. That includes orphans, people or children with a disability or who are affected by HIV\/AIDS. And then some of the proceeds of the festival are given to those people for their needs \u2014 basic things like food baskets, clothing or funds for education or to start a small business. In 2021, for example, we donated $400 to a maternity ward in central Botswana.<\/p>\n<p>When we do these festivals, people who work around the festival also benefit: hotels (people do travel from other countries), people selling foodstuffs, even local game reserves and national parks [where artists and festival-goers from out of town go and sightsee before and after the festival].<\/p>\n<p>It\u2019s hard to imagine religious groups calling you evil when you\u2019re helping the community.<\/p>\n<p>The little I got I will share with those in need.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You probably haven\u2019t heard of these names, but they\u2019re just some of the many African heavy metal bands featured in Edward Banchs\u2019 new book, Scream for Me, Africa! Heavy Metal Identities in Post-Colonial Africa. The book examines the hard rock and metal scenes in Botswana, Kenya, Ghana, South Africa and Togo to understand why artists and fans flock to this extreme subculture \u2014 and how bands have turned this predominantly white, Western musical genre into something uniquely African.<\/p>\n","protected":false},"author":12963,"featured_media":14434,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12,31],"tags":[7,14,32],"class_list":{"0":"post-14437","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-entertainment","8":"category-music","9":"tag-apie-project","10":"tag-entertainment","11":"tag-music"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>\u2018Scream for Me, Africa!\u2019: How the continent is reinventing heavy metal music - APIE NEWS<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/appsaf.apieproject.com\/news\/2022\/08\/10\/scream-for-me-africa-how-the-continent-is-reinventing-heavy-metal-music\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"\u2018Scream for Me, Africa!\u2019: How the continent is reinventing heavy metal music - APIE NEWS\" \/>\n<meta property=\"og:description\" content=\"You probably haven\u2019t heard of these names, but they\u2019re just some of the many African heavy metal bands featured in Edward Banchs\u2019 new book, Scream for Me, Africa! 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