{"id":17281,"date":"2022-09-19T06:14:50","date_gmt":"2022-09-19T06:14:50","guid":{"rendered":"https:\/\/appsaf.apieproject.com\/news\/?p=17281"},"modified":"2022-09-19T06:14:52","modified_gmt":"2022-09-19T06:14:52","slug":"hybrid-creative-talent-sam-coleman-signs-to-rsa-films-for-first-us-representation","status":"publish","type":"post","link":"https:\/\/appsaf.apieproject.com\/news\/2022\/09\/19\/hybrid-creative-talent-sam-coleman-signs-to-rsa-films-for-first-us-representation\/","title":{"rendered":"Hybrid Creative Talent Sam Coleman Signs to RSA Films for First US Representation"},"content":{"rendered":"<p>An award-winning director whose recent work includes standout campaigns for VW, KFC and ON Running, Sam is renowned for epic visuals, seamless VFX, film craft and authentic performances. His hybrid creative pedigree includes founding a digital agency while still at design college and being hired as creative director of South Africa\u2019s Young Designers\u2019 Emporium where he showcased and collaborated with emerging fashion design talent, leading everything from fashion shows to window displays. This unorthodox background led to posts as an award-winning Art Director at 180 Amsterdam, working on adidas Originals, as well as Mother New York on Stella Artois and Tanqueray before he made the leap into full time directing.<\/p>\n<p>\u201cThe first time I saw Sam\u2019s work, I was absolutely hell-bent on our working together!\u201d said Luke Ricci, president, RSA Films US. \u201cSam\u2019s voice is an amalgam of magical realism, epic world building, emotive performance and much needed winks. His storytelling is playfully imaginative in the most exciting way. His versatility across genres is truly impressive. I attribute this to his many years spent honing his craft in agencies on different briefs before crossing into directing. I\u2019m honoured to be his first US representation.\u201d<\/p>\n<p>Naturally drawn to music and dance-driven films and collaborations with choreographers, Sam has been tapped to direct electronic music culture projects. Ballantine&#8217;s &#8216;Stay True&#8217; series featured Black Motion, the South African electronic duo known for blending house music with indigenous percussion and multilingual vocals. The promo &#8216;Midnight Drum&#8217; for Club Pilsener, reconnected the brand with younger consumers. AOTW called the result \u201cthe hottest pan-African music video to come out of Uganda.\u201d The video shined a light on the Ugandan capital Kampala with raw textures and a cultural menagerie of dancers, BMX riders, skateboarders and artists. In bringing together luminous musical talents from South Africa, Uganda and Nigeria, Kampala became an epic night-time backdrop set to the beats of APass, Fik Fameica, Rouge and DJ Maphorisa.<\/p>\n<p>While working in Johannesburg, Ryan McManus, VMLY&amp;R New York\u2019s chief creative officer, brought Sam on board to help reconnect one of the country&#8217;s most well-loved department stores, Edgars, to youth. The resulting collaboration was &#8216;Don\u2019t Tell Me What To Do \u2013 An African Musical.&#8217; Sam\u2019s unique direction meticulously wove together an enormous cast of a cross section of South African culture including Afro pop sensation Sho Madjozi, a full gospel African choir, a heavy metal band from Soweto, a township roller skating club, trans gender activists, dancers and many more.<\/p>\n<p>\u201cSam\u2019s highly collaborative nature and natural ability to connect with people regardless of background, ethnicity, origin, race and orientation was able to bring the project to life,\u201d Ryan said. &#8216;Don\u2019t Tell Me What To Do&#8217; won a Bronze Entertainment Lion at Cannes and a Gold Loerie, among other awards.<\/p>\n<p>There was more high praise for Sam\u2019s promo for Nigerian artist Patoranking\u2019s &#8216;Open Fire ft. Busiswa.&#8217; Okay Africa wrote of its &#8216;arrestingly stunning visuals&#8217; and called it &#8216;next level.&#8217; &#8216;Open Fire&#8217; depicts everyday sights in African city streets and transforms them into magical realism via a dystopian Johannesburg with futuristic Afro Queens on white horses as well as eagle-shaped drones.<\/p>\n<p>Sam\u2019s high style has caught the attention of blue-chip brands as well. He recently directed spots for Audi and Coca-Cola, and campaigns for VW via Ogilvy Cape Town. VW &#8216;Game On&#8217; features the new Polo in an Afro-futurist Metaverse replete with avatars, NFTs and a gamified cityscape. In &#8216;The Power of Vrr Pha!&#8217; the speed of the new GTI is compared to the pace of the normal world seen through the eyes of a commuter on his way to work. This project won Ciclope Africa Gold earlier this year.<\/p>\n<p>Sam directed this summer\u2019s bewitching &#8216;Can\u2019t Resist&#8217; campaign for KFC, which was widely praised by industry tastemakers. The series of tantalisingly dark and moody performances portrayed the very moment when we give in to our deepest desires, in this case KFC. He is equally at home creating eye-popping visuals born in video games and nuanced observational performances in a series of single takes for the financial sector.<\/p>\n<p>Sam has been called upon to work with elite athletes, including gold medallist Olympians. He directed &#8216;Superfrau&#8217; for ON Running, featuring Swiss triathlete champion Nicola Spirig. The emotive Clio Sports-winning film was set against the backdrop of balancing motherhood and training in the Swiss Alps. Audi SQ8 &#8216;Lane 8&#8217; centres on South African runner and world record holder Wayde van Niekerk. The film intimately recreated the psychological battle of Van Niekerk\u2019s world record smashing 400m win from the notoriously difficult eighth lane, the outside lane from which no one had won before. Other credits include spots for Beck\u2019s, ABSA, adidas, Edgars and Kwese, to name just a few more.<\/p>\n<p>Sam commented, \u201cWhen I was a creative at 180 Amsterdam and we\u2019d be surrounded by a sea of directors\u2019 reels &#8211; Spike Jonze, Michel Gondry, Frank Budgen, Glazer and hundreds of others &#8211; someone said, \u2018At least we\u2019re not directors, there\u2019s too many of them.\u2019 But my secret dumb ambition was to become one of them. RSA was one of those fabled companies up on the wall of DVDs that had a magical aura of making incredibly crafted work. I always knew I wanted to wait for a company on that level, so when RSA reached out it seemed surreal. Then when I met Luke Ricci it was the turning point in the conversation. He\u2019s bringing a fresh energy and a vision for RSA\u2019s future which is hugely exciting.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Directorial sensation Sam Coleman, whose creative roots in South African fashion, street culture and design helped him showcase Pan African youth culture, has signed to RSA Films as his first US representation.<\/p>\n","protected":false},"author":12963,"featured_media":17278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[35,36],"tags":[7,37,38],"class_list":{"0":"post-17281","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-fashion","8":"category-lifestyle","9":"tag-apie-project","10":"tag-fashion","11":"tag-lifestyle"},"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Hybrid Creative Talent Sam Coleman Signs 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